A welling spring, a self-springing stream or a wheel rolling out of itself (Nietzsche) - these metaphors aptly characterize this work. It consists of two movements, a kind of "prelude and fugue". In the first movement, each pianist has four lines to play, making a total of eight lines. These are intended as separate lines or waves, which nevertheless strive towards an overall dynamic sound. These lines are considered as waves or a mountain landscape, where you look from one peak to another, but at the same time do not push other mountains out of the picture. The lines are organized like waves, each with its own phase, all different.
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